The Yellow Wallpaper -- Literacy Analysis

Are refuges intended to protect the influenced people or to assist society with escaping ceaselessly from anomalies that are unavoidable in human life? What are the outcomes of keeping an individual kept hostage behind these alleged ‘shelters’? These inquiries are a portion of the numerous that are asked in The Yellow Wallpaper by Charlotte Perkins Gilman. Inside the lines of the dark plot in this short story, the creator clarifies that the anonymous hero was not, actually, crazy or experiencing an authoritative illness or mental glitch. In any case, this ‘mental disorder’ is just a way that the storyteller effectively opposes society and how male controlled society has confined her into turning into a stack of uncertain musings. In the presentation of the story the anonymous storyteller portrays her ‘illness’ and the ‘conditions’ she faces, anyway through the investigation of her composing she starts to uncover the persecution that she is compelled to submit to. A significant part of the protagonist’s abuse originates from her better half, as he doesn't accept she is wiped out by any means. Since she is bashful and is repressed by her companion she accepts, similar to the remainder of society, that a male’s capabilities can consequently make him right. The storyteller will in general inquiry her husband’s see, yet then conceals it with his qualifications in her private diary passages, â€Å"You see he doesn't trust I am wiped out! Also, what would one be able to do? In the event that a doctor of high standing, and one's own significant other, guarantees companions and family members that there is actually nothing the issue with one except for transitory apprehe nsive discouragement - a slight insane propensity - what is one to do?† (Gilman Wallpaper, 1) This is just the start of the abuse and the start of the narrator’s defiance to a general public constrained by men. The au... ...nd The Yellow Wallpaper. Works Cited Gilman, Charlotte Perkins. Why I Wrote 'The Yellow Wallpaper.'. The Captive Imagination: A Casebook on The Yellow Wallpaper,. Ed. Catherine Golden. New York: Feminist Press at the City University of New York, 1992. 51-53. Rpt. in Short Story Criticism. Ed. Janet Witalec. Vol. 62. Detroit: Gale, 2003. Writing Resources from Gale. Web. 10 Feb. 2012. Gilman, Charlotte Perkins. The Yellow Wallpaper. [New York]: Feminist, 1973. Print. Knight, Denise D. 'I am blowing up enough to accomplish something edgy': The Question of Female 'Madness.'. The Yellow Wall-Paper by Charlotte Perkins Gilman: A Dual-Text Critical Edition. Ed. Shawn St. Jean. Athens: Ohio University Press, 2006. 73-87. Rpt. in Twentieth-Century Literary Criticism. Vol. 201. Detroit: Gale, 2008. Writing Resources from Gale. Web. 10 Feb. 2012. The Yellow Wallpaper - Literacy Analysis Are refuges intended to protect the influenced people or to assist society with escaping ceaselessly from anomalies that are unavoidable in human life? What are the outcomes of keeping an individual kept hostage behind these purported ‘shelters’? These inquiries are a portion of the numerous that are asked in The Yellow Wallpaper by Charlotte Perkins Gilman. Inside the lines of the dark plot in this short story, the creator clarifies that the anonymous hero was not, indeed, crazy or experiencing a complete ailment or mental breakdown. In any case, this ‘mental disorder’ is just a way that the storyteller effectively defies society and how male controlled society has confined her into turning into a load of unreliable musings. In the presentation of the story the anonymous storyteller portrays her ‘illness’ and the ‘conditions’ she faces, anyway through the examination of her composing she starts to uncover the persecution that she is compelled to submit to. A significant part of the protagonist’s persecution originates from her better half, as he doesn't accept she is wiped out by any stretch of the imagination. Since she is hesitant and is repressed by her life partner she accepts, similar to the remainder of society, that a male’s capabilities can consequently make him right. The storyteller will in general inquiry her husband’s see, yet then conceals it with his certifications in her private diary passages, â€Å"You see he doesn't trust I am wiped out! Also, what would one be able to do? In the event that a doctor of high standing, and one's own significant other, guarantees companions and family members that there is actually nothing the issue with one except for transitory anxious sorrow - a slight insane propensity - what is one to do?† (Gilman Wallpaper, 1) This is just the start of the abuse and the start of the narrator’s defiance to a general public constrained by men. The au... ...nd The Yellow Wallpaper. Works Cited Gilman, Charlotte Perkins. Why I Wrote 'The Yellow Wallpaper.'. The Captive Imagination: A Casebook on The Yellow Wallpaper,. Ed. Catherine Golden. New York: Feminist Press at the City University of New York, 1992. 51-53. Rpt. in Short Story Criticism. Ed. Janet Witalec. Vol. 62. Detroit: Gale, 2003. Writing Resources from Gale. Web. 10 Feb. 2012. Gilman, Charlotte Perkins. The Yellow Wallpaper. [New York]: Feminist, 1973. Print. Knight, Denise D. 'I am blowing up enough to accomplish something frantic': The Question of Female 'Madness.'. The Yellow Wall-Paper by Charlotte Perkins Gilman: A Dual-Text Critical Edition. Ed. Shawn St. Jean. Athens: Ohio University Press, 2006. 73-87. Rpt. in Twentieth-Century Literary Criticism. Vol. 201. Detroit: Gale, 2008. Writing Resources from Gale. Web. 10 Feb. 2012.

Agency and partnershipl law assessed coursework Essay

Office and partnershipl law surveyed coursework - Essay Example An agent’s real authority might be either suggested or express. As respects to communicate authority, there will be no issues as everything will be clarified or foreordained. An apparent position will happen when if the authority has been given on the specialist, regardless of whether such authority isn't gave to him by express words. For moment, if a guarantor allows his specialist to have possessing clear spread notes, at that point the back up plan certainly allows him to make brief protection contracts for sake the safety net provider. On the off chance that impermanent oral agreements entered by a specialist are by and large persistently embraced by the safety net provider, at that point it will present an apparent expert on that agent1. This examination paper will make a sincere endeavor to build up that there is no any distinction between the acutual and apparent authority as it has all the earmarks of being . Investigation Usual Authority of an Agent An agent’s normal authority is deciphered by the courts out of sight of genuine verifiable force, which is being given to an operator because of condition of a particular case like regular intensity of a specialist from a particular custom or specific exchange. In this manner, regular authority of an operator is seen as an element of clear or genuine power. . In Watteau v Fenwick , the chief of a brew house had the express power to purchase stogies from the respondent onlyHowever, the operator (administrator) purchased the stogies from the offended party. In a suit for professing to settle the sum because of the offended party, it was held that as the offended party didn't know about the express limitation, and since, it fell inside the typical intensity of the supervisor of a brew house to put in a request for this kind of merchandise, the chief was held accountable3. Notwithstanding, in Daun v Simmins4, the choice held in Watteau v Fenwick was differentiated where it was seen that if a speci alist (administrator) of a â€Å"tied† open house just has the force as a rule to buy spirits from a particular source. In cases this way, no dependence on an inferred authority can be made by a provider in order to sue the principal5. Suggested or Ostensible or Apparent Authority A certain or inferred or obvious or apparent position implies where an outsider is tempted to go into an agreement with a head through a gathering who appears to have capacity to capacity or act however in actuality , he is missing such force or authority. In â€Å"Freeman and Lockyer v Buckhurst Park Properties (Mangal) Ltd†, Diplock, LJ held that there is huge distinction between evident position and real power. In spite of these, terms are constantly harmonized and coincided without the other and their significant foundation might be assorted. In real power, there is a relationship which exists between a specialist and the head lawfully which is guided by a consistent consent to which they are respected to be parties6. In ING Re (UK) Ltd v R and V Versicherung AG7, the obvious authority of an operator was clarified by Toulson J as one, which is footed upon estoppel by portrayal. Where an outsider (X) is being caused or spoken to by a Principal (P) that the operator (A) has the ability to work for P’s benefit, and X is managing An as a specialist of P simply on the dependence of such portrayal, P is subject to the demonstrations of A to a similar size as though A had the necessary force which he was exhibiting as possessing8. In Zurich General Accident and Liability

Face Book And Study

Face Book And Study Okay, hold up. I have a really good excuse for not blogging in ages. Two excuses, actually. Yes, I took my last final over a week ago, and yes, I only had one, and yes, it was for an intro class since I’m one of those people who does course 6 in no order whatsoever. Taking course 6 in no order whatsoever isnt all fun and games, though I spent the two weeks before finals simultaneously doing 3 final projects. First excuse: I NEED HOUSING. My sworn roommate flew out here last night, and I’ve sent 150+ emails and made 20+ calls related to housing, because I decided not to take company housing for some reason. When I landed last weekend, I booked Sunday solid with the few subletters and landlords who had returned my frantic correspondence, ran all around town visiting them, and ended up with a really awesome prospectthat isn’t sure when we can move in. Where am I, anyways? Second excuse: I started working for Facebook last week! This is marginally more exciting than any outsider might imagine, but in a nerdier way. I walked into a giant warehouse last Monday morning to find rows and rows of laptops accompanied by nametags and setup instructions sitting in front of rows and rows of chairs. We (the interns) were then asked to log into Facebook. Afterward, we spent most of our lunch break doing this: Okay, they didn’t actually pay us to goof around the whole day mostly, we were going through an introduction to the company, its mission, and its policies. Heres my favorite quote from the sexual harassment seminar: “You love your job, you love your work, you love your teambut then you start loving your boss.” After talking about ethics and values and statistics for a while, we got to the part we’d been waiting for: setting up code repositories on our development servers! You know I’d normally illustrate this with a picture of a cluster of alternately gleeful and despairing interns, all wearing taped glasses and argyle sweaters and hunched over computer terminals reconfigured to look like the Matrix. But pictures of interesting things on computer screens make for terrible pictures. I imagine most of my pictures for the rest of the summer will be of people eating or hitting each other with balloon animals or passed out over their laptops on a couch after a hackathon. Again, we dont get paid to do nothing all day. I walked into the bathroom the other day and, to my simultaneous horror and amusement, was greeted with a basket filled to the top with new toothbrushes and travel-sized toothpaste tubes, so I’m pretty sure there will be some long coding nights ahead. For those of you who may have noticed that my pictures have suddenly experienced a drastic drop in quality: Facebook gave me an iPhone, which has a large enough portability advantage over my DSLR that its hard not to use it constantly. Ah, modern technology. EDIT: We found housing!!!!!!!!!11cos(0) In true rfong style, I celebrated by buying a 14oz teapot. Just kidding. In even truer rfong style, I prematurely bought the teapot yesterday.

Existentialist traits in works of Henrik Ibsen - 1442 Words

Existentialism is a major twentieth century continental European philosophical movement. The label was inspired by the tendency of some of the writers like Kierkegaard, Heidegger , Sartre and Nietzsche to use the term existence for a kind of being or life unique, in their view, to human beings. Only in the case of human beings is the conduct of their life an issue for them; only they can stand out - exstare, the Latin word from which exist comes - from their lives and reflect upon them; and only they have the capacity freely to shape their lives. Though Existentialism can appear in a number of different forms, the focal point as Jean Paul Sartre puts it is existence precedes essence. The existentialists are of the view that as†¦show more content†¦[Puts one leg over the fence; then hesitates.] ... [Draws back his leg.] By making the choices which he has to make , Peer not only takes the responsibility of his own life but shapes others destinies too. Solveig, the girl who loves him truly, comes to him leaving all that belonged to her and thus she makes her choice , not aware of its consequences. SOLVEIG: The path I have trodden leads back nevermore After he leaves the Troll princes and comes back to Solveig , his true love , and thinks that his life is free from worries , the Troll princes comes to see him. He is again caught in a fix and has to chose between the two , he is now a father and has to bear the consequences of the deeds which he performed earlier in his life. And he has to bear it alone . George Luckas in Myth of Nothingness says: The emptiness and hollowness of human life which Sartre calls nothingness is also portrayed in a striking scene in Peer Gynt by Ibsen. The aging Peer Gynt is peeling off the layers of an onion, and playfully compares the single layers with the periods of his life, hoping at the end to come to the core of the onion and the core of his own personality. But layer follows layer, period after period of life; and no core is found.(1) Jean Paul SartresShow MoreRelatedRhetorical Analysis Of Harold Pinter s The Room 9709 Words   |  39 Pagesfame rests on not only his popular dramas but also on his political activism which is rooted in his concern for people and their condition in realms which can be termed as social, professional or political. In fact it can be said that many of his works starting from the early comedies of menace to the later overtly political plays run parallel to his political activism in the delineation of abuse of power in familial, social and political sphere and its somatic and psychosomatic impact on the modern

Identifying Patient s Needs And Analysis And Synthesis

Your Name: Janis Luce Date: January 15, 2015 Your Instructor’s Name: Knapp Purpose: The focus of this assignment is identifying patient’s needs and analysis and synthesis of details within the written client record and planning an appropriate discharge plan with necessary patient teaching of the disease process. Points: This assignment is worth a total of 100 points. Directions: Please refer to the Discharge Teaching Plan Guidelines found in Doc Sharing for details about how to complete this form. Type your answers on this form. Click â€Å"Save as† and save the file with the assignment name and your last name, e.g., â€Å"NR305_Discharge_Teaching_ Plan_Form_Smith† When you are finished, submit the form to the Teaching Plan Dropbox by the†¦show more content†¦It would be best to use a multifaceted approach to Mr. Yoder’s discharge planning. We can use the help of his son as well as any support groups in the community and continue to implement the help of a home health nurse. Focusing on how Mr. Yoder retains information best will be important here. We can alter our teaching methods to match his needs. It will also be important to focus on his readiness to learn. Using a multitude of techniques in Mr. Yoder’s plan of care will help him be successful in his discharge from the hospital. Implementing the assistance of community-focused programs can help give Mr. Yoder companionship. Support programs with the agencies on aging can be informative and helpful (www.agingcare.com, 2015). They can assist with getting patients to doctors appointment, planning meals, and offer support, which Mr. Yoder would benefit from all of those. Jon, Mr. Yoder’s son can also assist in educating and re-enforcing things to help Mr. Yoder remember what needs to be done, assisting him with his own accountability for his health. With the help of his son Jon, we can give him other people to help be accountable for his healthcare. To measure Mr. Yoder’s goals we can look at obtaining the number of times each week that he is able to leave the house or have assistance come in.

The Selfish Hedonist Free Essays

â€Å"I’ll have a husband yet / who shall be both my debtor and my slave / [†¦ ] for mine shall be the power all his life† (Chaucer 262). In The Canterbury Tales, the Wife of Bath, also known as Alison, presents herself as the authority on marriage and marital life. She comments on the social and legal position of women in marriage and daily life. We will write a custom essay sample on The Selfish Hedonist or any similar topic only for you Order Now She claims she has her knowledge from experience, not from scriptural authority. She dictates her life story of her five previous relationships with her fellow pilgrims to show her experience. Rather than rejecting scriptural authority, she appeals to logic thus rejecting too strict interpretations of scriptural rules and commandments. She gives ridiculous details of her marriages, including her marrying old wealthy men so that she could get their money once they died. After telling the unreasonable details of her relationships, she goes on to tell a tale about an old hag and one of King Arthur’s knights. The old hag forces the knight to marry her after she helps him with a life-saving question of â€Å"What do women most want in life? The Wife of Bath attempts to portray the idealness of a woman’s domination in the end yet she fails because the old hag becomes passive again. Through the Wife of Bath’s Prologue and Tale in The Canterbury Tales, Geoffrey Chaucer portrays the Wife of Bath as a selfish hedonist and feminist trying to gain complete control over men. Her new stand on women’s supremacy only shows her selfishness because she wasn’t trying to make a difference or revolutionize anything, she was only trying to gain personal benefits. The Wife of Bath’s prologue is used to explain the basis of her theories on authority and sovereignty. The medieval Church at the time of the Wife of Bath saw her as a wicked woman, and she boasts about it with pride: â€Å"If I turn difficult, God give me sorrow! † (262). â€Å"Her marrying three old men in succession is a violation of not only of the law of common sense but even of the law of Nature, who would bring together those of comparable age† (Oberembt 288). Marrying another man after already being married previously is already a scandalous crime for this time period. Now to marry someone much older than herself a few times in a row is wrong not only in the eyes of God, but it is wrong along the lines of common sense too. The text of the Wife of Bath’s Prologue is based on an allegorical ‘confession’ in which she tells her sins to her audience in her life story: â€Å"O Lord, I wrecked their peace / innocent they were, without remorse! † (Chaucer 268). She confesses to deceiving and tricking her husbands just so she could get money and admits to arrange a fifth marriage while still in her fourth. In doing so, she demoralizes herself to try to be better than a man. Having more power than a man means she gets to decide, yet she goes and ruins her own reputation just so she can have an edge over men. Her rebellion against patriarchal authority and the abusive treatment of particular men expressed by the Wife of Bath are really but the projections of her selfish attitude: â€Å"His pleasures were my profit, I concurred† (269). She does not care about anyone but herself and she chooses to display that willingly. She has a self-centered interpretation of the marriage. Oberembt uses the argument that she was only twelve years old in her first marriage and that she was unable to conceive a child with her first husband which could’ve lead to her â€Å"frustration† (Oberembt 288). Through her words, and mostly through her actions, the Wife of Bath expresses her views on a wife’s domination through her own life story. The Wife of Bath’s Tale is an exemplum, providing an answer to the question, â€Å"What do women want? † Chaucer uses the Wife of Bath to explain and give an example that women most desire sovereignty: â€Å"A woman wants the self-same sovereignty / over her husband† (Chaucer 186). The tale is Alison’s idea of the perfect illustration of her point. The Knight gives in to his new old wife and therefore she becomes beautiful in his eyes because she has now been given the right to choose. But if one was to switch the roles of men and women in society, men would become a very meek and uncertain group of people who wouldn’t know how to behave. â€Å"Thus the Wife of Bath comically inverted the conventional sex-linked male and female behaviors† (Oberembt 300). When the Knight of King Arthur lets the old hag make the decision, he abandoned the male’s sovereignty in favor of the woman’s rule: â€Å"My dearest wife / I leave the matter to your wise decision† (Chaucer 291). The Wife of Bath most likely sees her story as what she wishes would happen normally. But by her story, she’s not changing anything or giving examples on how to change the present ways because no man is going to willingly give up his sovereignty only to have his wife rule over him. The Wife of Bath is an early extreme feminist who believed in women having the most power and command over their husbands: â€Å"You make the choice yourself† (291). â€Å"Through the Old Hag, Dame Alice persuades an unreasonable male chauvinist to renounce self-indulgence and to accept the only reasonable norm for human conduct† (Oberembt 300). She is the only person who believes that a woman’s domination will make everyone happy. But on the man’s side of the story, he is forced to give up his masculinity and become sensual only so that his wife can now become masculine. In the Wife of Bath’s Tale, she attempts to convey her message that women want domination, yet with closer analysis one sees that her ideas do not seem to work out well. Chaucer seems to have made the relationship of the tale and the teller to force one to consider Alison’s argument of domination. The argument in contrast to this belief is the idea that the Alison just wants a mutual relationship, one that is of giving and receiving: â€Å"His pleasures were my profit, I concurred† (Chaucer 269). If the Wife of Bath is telling us that marriage is all about having sex with your spouse just so that they could give you fancy things and money in return, there is no sign of a revolutionary idea. McKinley states that â€Å"each spouse’s body becomes the property of the other by virtue of the new marital alliance† (371). If this is the case, then the couple has the right to each other and the right to have sex with each other and there shouldn’t be any type of give and take mentality. In the end of the tale, the old hag relinquishes her power and never really becomes the dominant of the two: â€Å"‘And have I won the mastery? said she† (Chaucer 291). She becomes a passive wife when she gives up her power by giving the knight what he wants. This is because the knight gives her the choice to choose and it seems as though she now has complete control, yet she gives up her power when he wants to have sex with her and she resigns his power and listens to him. The Wife of Bath’s Tale ultimately contradicts Alison’s belief of female domination in that the woman never gains domination over the man: â€Å"My dearest wife / I leave the matter to your wise decision [†¦ ] [Sir,] Do with my life and Death as you think best† (291). The language and acts of self-sacrifice, obedience, and submission seem to suggest the very antithesis of self-actualizing, assertive behavior which feminism [and Alison] has championed (McKinley 373). † Throughout the Wife of Bath’s Prologue, Alison stands strong to the idea that women should have complete control over their husbands. One might think that the tale she would tell contains support to her ideas, but it does not. For in the end, Chaucer shows us that th e Wife of Bath’s idea of domination wouldn’t work because she would eventually give her power up again only after just receiving it. Therefore, Chaucer depicts Alison as a selfish woman who wants authority over her husband and yet in the end he shows how her ideas would never work. One must come to the conclusion that the Wife of Bath only tries to express her belief in a wife’s complete supremacy over their husbands. In the Wife of Bath’s Prologue, Alison uses her experience to verify her theories on a wife’s supremacy. She also uses Biblical examples to support her ideas, such as previous Biblical characters that had multiple spouses. But her life story is evidence to her views and without her personal input one would wonder whether or not her beliefs really would work. In the Wife of Bath’s Tale, Alison most likely sees her story as what she wishes would happen normally. But with a closer look at the details, she’s not changing anything or giving examples on how to change the present ways because no man is going to willingly give up his sovereignty only to have his wife rule over him. Also, the tale ultimately proves Alison wrong because the old hag becomes passive in the end after being given the control. Alison proves her theory wouldn’t work, and Chaucer tries to explain why a woman’s superiority wouldn’t work too well through the old hag and her decision to give into the knight’s request of sex. How to cite The Selfish Hedonist, Papers

Indian National Congress free essay sample

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Shaw| Backward Place| Ruth Prawer Jhabwala| Bandicoot Run| Manohar Malgonkar| Bang-i-Dara| Mohammad lqbal| Bangla Desh-The Unifinished Revolution| Lawrence Lifschultz| Banyan Tree| Hugh Tinker| Beach Boy| Ardesher Vakil| Beast and Man| Murry Midgley| Beating the Street| Peter Lynch| Beginning of the Beginning| Acharya Rajneesh| Beloved| Toni Morrison| Ben Hur| Lewis Wallace| Bend in the Ganges| Manohar Malgonkar| Bermuda Triangle| Charles Berlitz| Berry Patches| Yevgeny Yevtushenko| Best and the Brightest| David Halberstan| Betrayal of Pearl Harbour| James Rusbridger and Eric Nave| Between Hope and History| Bill Clinton| Between Hope and History| Bill Clinton| Between the Lines| Kuldip Nayar| Bewildered India-Identity, Pluralism, Discord| Rasheedud-din Khan| Beyond Boundaries: A Memoire| Swaraj Paul| Beyond the Horizon| Eugene O’Neill| Beyond Modernisation, Beyond Self| Sisir Kumar Ghose| Beyond Peace| Richard Nixon| Bhagwat Gita| Veda Vyas| Bharal Aur Europe| Nirmal Verma| Bharat Bharati| Maithili Sharan Gupta| Bharaitya Parampara Ke Mool Swar| Govind Chandra Pande| Big Fisherman| Lloyd C. 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Oza| Bone People| Keri Hulme| Book of the Sword| Sir Richard Burton| Borders amp; Boundaries: Women in India’s Partition| Ritu Menon amp; Kamla Bhasin| Born Free| Joy Adamson| Bostaan| Sheikh Saadi| Bread, Beauty and Revolution| Khwaja Ahmed Abbas| Breaking the Silence| Anees Jung| Breakthrough| Gen. Moshe Dayan| Bride for the Sahib and Other Stories| Khushwant Singh| Bridge’s Book of Beauty| Mulk Raj Anand| Bridges of Madison Country| R. J. Waller| Brif History of Time| Stephen Hawking| Brishbikkha| Bankim Chandra Chatterji| Britain’s True History| Prem Bhatia| Broken Wings| Sarojini Naidu| Brothers Karamazhov| Fyodor Dostoevski| Bubble| Mulk Raj Anand| Buddha Charitam| Ashvaghosha| Bunch of Old Letters| Jawaharlal Nehru| Bureaucrazy| M. K. Kaw| Butterfield 8| John O’Hara| By God’s Decree| Kapil Dev| By Love Possessed| James Gould Cozzens| Byzantium| W. B. Yeats| Caesar and Cleopatra| G. B. Shaw| Call the Briefing| Martin Fitzwater| Cancer Ward| Aleksandr Solzhenitsyn| Canterbury Tales| G. Chaucer| Canvass of Life| Sheila Gujral| Caravans| James A. Michener| Cardinal| Henry M. Robinson| Castle| Franz Kafka| Catch-22| Joseph Heller| Catcher in the Rye| J. D. Salinger| Centennial| James Michener| Chance| Joseph Conrad| Chandalika| Rabindranath Tagore| Chemmeen| Thakazhi Sivasankara Pillai| Cherry Orchard| Anton Chekhov| Chidambara| Sumitranandan Pant| Chikaveera Rajendra| Masti Venkatesh lyengar| Child Who Never Grew| Pearl S. Buck| Childe Harold’s Pilgrimage| George Byron| Childhood| Maxim Gorky| Children of Gabelawi| Naquib Mahfouz| Children of the Sun| Maxim Gorky| China Passage| J. K. Galbraith| China-Past and Present| Pearl S. Buck| China’s Watergate| Leo Goodstadt| Chinese Betrayal| B. N. Mullick| Chitra| Rabindranath Tagore| Choma’s Drum| K. Shivaram Karanath| Christabel| Samuel Taylor Coleridge| Christmas Tales| Charles Dickens| Chronicle of a Death Foretold| Gabriel Garcia Marquez| Chithirappaavai| P. V. Akilandam| City of Joy| Dominique Lapierre| City of Saints| Sir Richard Burton| Class| Erich Segal| Climate of Treason| Andrew Boyle| Clockwork Orange| Anthony Burgess| Clown| Heinrich Boll| Cocktail Party| T. S. Eliot| Colonel Sun| Kingsley Amis| Comedy of Errors| William Shakespeare| Common Sense| Thomas Paine| Communist Manifesto| Karl Marx| Confessions| J. J. Rousseau| Confessions of a Lover| Mulk Raj Anand| Comus| John Milton| Confessions of an Inquiring Spirit| S. T. Coleridge| Confessions of an English Opium Eater,| Thomas De Quincy| Confidential Clerk| T. S. Eliot| Confrontation with Pakistan| Gen. B. M. Kaul| Conquest of Happiness| Bertrand Russell| Conquest of Self| Mahatma Gandhi| Conservationist| Nadine Gordimer| Continent of Circle| Nirad C. Chaudhuri| Coolie| Mulk Raj Anand| Count of Monte Cristo| Alexander Dumas| Coup| John Updike| Court Dancer| Rabindranath Tagore| Coverly Papers| Joseph Addison| Cranford| Mrs. Gaskell| Creation| Gore Vidal| Crescent Moon| Rabindranath Tagore| Crescent Over Kashmir| Anil Maheshwari| Cricket on the Hearth| Charles Dickens| Crime and Punishment| Fyodor Dostoevsky| Crisis in India| Ronald Segal| Crisis into Chaos| E. M. S. Namboodiripad| Critical Mass| William E. Burrows| Critique of Pure Reason| Immanuel Kant| Crossing in River| Caryl Phillips| Crossing the Sacred Line-Women’s Search for Political Power| Abhilasha amp; Sabina Kidwai| Crossing the Threshold of Hope| Pope John Paul II| Crown and the Loincloth| Chaman Nahal| Crown of Wild Olive| John Ruskin| Cry, My Beloved Country| Alan Patan| Cuckold| Kiran Nagar Kar| Culture and Anarchy| Matthew Arnold| Culture in the Vanity Bag| Nirad C. Chaudhuri| Curtain Raisers| K. Natwar Singh| Damsel in Distress| P. G. 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Harrington| Death on the Nile| Agatha Christie| Death of a President| William Manchester| Death of a Salesman| Arthur Miller| Death-The Supreme Friend| Kakasaheb Kalelkar| Death Under sail| C. P. Snow| Debacle| Emile Zola| Decameron| Giovannie Boccaccio| Decline and Fall of Indira Gandhi| D. R. Mankekar and Kamala Mankekar| Decline and Fall of the Roman Empire| Edward Gibbon| Decline of the West| O’ Spengler| Democracy Means Bread and Freedom| Piloo Mody| Democracy Redeemed| V. K. Narsimhan| Descent of Man| Charles Darwin| Deserted Village| Oliver Goldsmith| Desperate Remedies| Thomas Hardy| Detective| Arthur Hailey| Devadas| Sarat Chandra Chatterjee| Dharmashastra| Manu| Dialogue with Death| Arthur Koestler| Diana-Her Time Story in Her Own Words| Andrew Martin| Diana-Princess of Wales : A Tribute| Tim Graham| Diana-The Story So Far| Julia Donelli| Diana-The True Story| Andrew Morton| Diana Versus Charles| James Whitaker| Die Blendung| Elias Canetti| Dilemma of Our Time| Harold Joseph Laski| Diplomacy| Henry Kissinger| Diplomacy and Disillustion| George Urbans| Diplomacy in Peace and War| J. N. Kaul| Disappearing Acts| Terry McMillan| Discovery of India| Jawaharlal Nehru| Distant Drums| Manohar Malgonkar| Distant Neighbours| Kuldip Nayar| Divine Comedy| A. Dante| Divine Life| Swami Sivananda| Doctor Faustus| Christopher Marlowe| Doctor’s Dilemma| G. B. Shaw| Dr. Jekyll and Mr. Hyde| Robert Louis Stevensan| Dr. Zhivago| Boris Pasternak| Doll’s House| lbsen| Dolly-The Birth of a Clone| Jina Kolata| Don Juan| George Byron| Don Quixote| Cervantes| Don’t Laugh-We are Police| Bishan Lal Vohra| Double Betrayal| Paula R. Newburg| Double Helix| J. D. Watson| Double Tongue| William Golding| Double Teeth| U. B. Sinclair| Drogon’s Seed| Pearl S. Buck| Dream in Hawaii| Bhabani Bhattacharya| Dram of Fair to Middling Women| Samuel Beckett| Dreams, Roses and Fire| Eyvind Johnson| Drunkard| Emile Zola| Durgesh Nandini| Bankim Chandra Chatterjee| Dynamics of Social Change| Chandra Shekhar| Earth| Emile Zola| Earth in the Balance: Forging a New Common Purpose| Al Gore| Earth Mother| Pupul Jayakar| East of Eden| B. N. Mullick| East West| Salman Rushdie| East Wind| Pearl S. Buck| Economic Planning of India| Ashok Mehta| Economics of Peace and Laughter| John K. Galbraith| Economics of the Third World| S. K. Ray| Education of Public Man| Hubert Humphrey| Edwina and Nehru| Catherine Clement| Egmont| J. W. Von Goethe| Eight Lives| Rajmohan Gandhi| Elegy Written in a Country Churchyard| Thomas Gray| Emile| J. J. Rousseau| Eminent Churchillians| Andrew Roberts| Emma| Jane Austen| Empire of the Soul: Some Journeys in India| Paul William Roberts| Ends and Means| Aldous Huxley| End of a Beautiful Era| Joseph Brodsky| End of an Era| C. S. Pandit| End of History and the Last Man| Francis Fukuyama| End of the Chapter| John Forsyte| Enemies| Maxim Gorky| English August| Upamanyu Chatterjee| Envoy to Nehru| Escott Reid| Erewhon| Samuel Butler| Escape| John Forsyte| Eassay on Life| Samuel Butler| Essays for Poor to the Rich| John Kenneth Galbraith| Essays in Criticism| Matthew Arnold| Essays On Gita| Aurobindo Ghosh| Essays of Elia| Charles Lamb| Estate| Issac Bashevis Singer| Eternal Himalayas| Major H. P. S. Ahluwalia| Eternal India| Indira Gandhi| Eternity| Anwar Shaikh| Ethics| Aristotle| Europa| Time Parks| Eugenie Grandet| Honore de Balzac| Everlasting Man| G. K. Chesterton| Executioner’s Song| Norman Mailer| Exile and the Kingdom| Albert Camus| Expanding Universe| Arthur Stanley Eddington| Eye of the Storm| Patrick White| Eyeless in Gaza| Aldous Huxley| Faces to Everest| Maj. H. P. S. Ahluwalia| Facts are Facts| Khan Abdul Wali Khan| Fairie Queene| Edmund Spencer| Faith amp; Fire: A Way Within| Madhu Tandon| Fall of a Sparrow| Salim Ali| Family Moskat| Issac Bashevis Singer| Family Reunion| T. S. Eliot| Famished Road| Ben Okri| Far From the Madding Crowd| Thomas Hardy| Far Pavilions| M. M. Kaye| Faraway Music| Svetlana Allilueva| Farewell to the Trumpets| James Morris| Farewell to a Ghost| Manoj Das| Farewell to Arms| Ernest Hemingway| Farm House| George Orwell| Fasana-i-Azad| Ratan Nath Sarkar| Fathers and Sons| lvan Turgenev| Faust| J. W. Von Goethe| Faustus| Chirstopher Marlow| Fidelio| L. Beethoven| Fiesta| Ernest Hemingway| Fifth Column| Ernest Hemingway| Fifth Horseman| Larry Collins and Dominique Lapierre| Final Days| Bob Woodward and Carl Bernstein| Final Passage| Caryl Phillips| Finding a Voice-Asian Women in Britain| Amrit Wilson| Fine Balance| Rohinton Mistry| Fire Next Time| James Baldwin| Fire Under the Snow: Testimony of a Tibetan Prisoner| Palden Gyatso| First Circle| Alexander Solzhenitsyn| Flags in the Dust| William Faulkner| Flames from the Ashes| P. D. Tandon| Flounder| Gunder Grass| Follywood Flashback| Bunny Reuben| Food, Nutrition and Poverty in India| V. K. R. V. Rao| For the President’s Eyes Only| Christopher Andrew| For Whom the Bell Tolls| Emest Hemingway| Forbidden Sea| Tara Ali Baig| Forsyte Saga| John Galsworthy| Fortynine Days| Amrita Pritam| Franklin’s Tale| Geoffrey Chaucer| Fraternity| John Forsyte| Free Man’s Worship| Bertrand Russell| Freedom at Midnight| Larry Collins and Dominique Lapierre| French Revolution| Thomas Carlyle| Freedom Behind Bars| Sheikh Mohd. Abdullah| Freedom from Fear| Aung San Suu Kyi| French Leave| P. G. Wodehouse| Friend| Samuel Tayelor Coleridge| Friends and Foes| Sheikh Mujibur Rehman| Friends, Not Masters| Ayub Khan| From Hero to Eternity| James Jones| From india to America| S. Chandrashekhar| From Raj to Rajiv| Mark Tully and Zaheer Masani| From Rajpath to Lokpath| Vijaya Raja Scindia| Frozen Assets| P. G. Wodehouse| Full Moon| P. G. Wodehouse| Future of NPT| Savita Pande| Gambler| Fyodor Dostoevsky| Ganadevata| Tara Shankar Bandopadhyaya| Gandhi and Stalin| Louis Fisher| Gardener| Rabindra Nath Tagore| Garrick Year| Margaret Drabble| Gathering Storm| Winston Churchill| Geeta Govind| Jaya Dev| Ghasiram Kotwal| Vijay Tendulkar| Ghosts in the Machine| Arthur Koestler| Girl in Blue| P. G. Wodehouse| Girl On the Boat| P. G. Wodehouse| Gita Rahasya| Bal Gangadhar Tilak| Gitanjali| Rabindra Nath Tagore| Gladiators| Arthur Koestler| Glimpses of Indian Ocean| Z. A. Quasim| Glimpses of World History| Jawaharlal Nehru| Go Down Moses| William Faulkner| Goa| Asif Currimbhoy| God and the Bible| Mattew Arnold| Godan| Munshi Prem Chand| Godfather| Mario Puzo| Godrej: A Hundred Years| B. K. Karanjia| Gold Bat| P. G. Wodehouse| Golden Borough| James Frazer| Golden Gate| Vikram Seth| Golden Threshold| Sarojini Naidu| Gone Away| Dom Moraes| Gone with the Wind| Margaret Mitchell| Good Earth| Pearl S. Buck| Goodbye, Mr Chips| James Hilton| Gora| Rabindra Nath Tagore| Grace Notes| Bernard Mac Lavarto| Grammar of Politics| Harold Joseph Laski| Grapes of Wrath| John Steinbeck| Grapes and the Wind| Pablo Neruda| Great Challenge| Louis Fischer| Great Depression of 1990| Ravi Batra| Great Gatsby| F. Scott Fitzgerald| Great lllusion| Norman Angell| Great Tragedy| Z. A. Bhutto| Grey Eminence| Aldous Huxley| Grub Street| Henry Fielding| Guide| R. K. Narayan| Guide for the Perplexed| E. F. Schumacher| Gul-e-Naghma| Raghupati Sahai ‘Firaq’ Gorakhpuri| Gulag Archipelago| Alexander Solzhenitsyn| Gulistan Boston| Sheikh Saadi| Gulliver’s Travels| Jonathan Swift| Gulzari Lal Nanda: A Peep in the Service of the People| Promilla Kalhan| Gurusagaram| O. V. Vijayan| Gypsy(poem)| Pushkin| Hamlet| William Shakespeare| Hard Times| Charles Dickens| Harsha Charita| Bana Bhatt| Hamsters| C. P. Snow| Handful of Dust| Evelyn Waugh| Happy Death| Albert Camus| Harlot High and Low| Honore de Balzac| Harvest| Majula Padmanabhan| Heart of Darkness| Joseph Conrad| Heavem Has No Favourites| Eric Maria Remarque| Heat and Dust| Ruth Prawer Jhabwala| Heavy Weather| P. G. Wodehouse| Henderson the Rain King| Saul Bellow| Heritage| Anthony West| Hero of Our Times| Richard Hough| Heroes and Hero worship| Thomas Carlyle| Henry Esmond| Thackeray| Heir Apparent| Dr. Karan Singh| Higher than Hope| Fatima Meer| Himalayan Blunder| Brig J. P. Dalvi| Hindu View of Life| Dr. S. Radhakrishnan| History of Hindu Chemistry| Sir. P. C. Ray| Hitopadesh| R. K. Narayan| Hindi Sahitya Aur Samvedna Ka Vikas| R. S. Chaturvedi| Hind Swaraj| M. K. Gandhi| Hindu Civilisation| J. M. Barrie| Hinduism| Nirad C. Choudhury| His Excellency| Emile Zola| History of the English Speaking Peoples| Sir Winston Churchil| Home Comings| C. P. 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Harrison| In Confidence| Anatolyu Dobrynin| In Evil Hour| Gabriel Garcia Marquez| In Light of India| Octavio Paz| In Retrospect-The Tragedy and Lessons of Vietnam| Robert S. McNamara| In Search of Gandhi| Richard Attenborough| In Search of Identity| Anwar el-Sadat| In the Afternoon of Time| Dr. Rupert Snell| In the Bluest Eye| Toni Morrison| In the Light of the Black Sun| Rohit Manchanda| In the Shadow of Pines| Mandeep Rai| India 2020: A Vision for the New Millennium| Dr. A. P. J. Abdul Kalam amp; Dr. Y. S. Rajan| India-A Wounded Civilisation| V. S. Naipaul| India discovered| John Keay| India-Facing the Twenty-First Century| Barbara Crossette| India-From Curzon to Nehru and After| Durga Dass| India-From Midnight to the Millennium| Shashi Tharoor| India-Independence Festival (1947-1997)| Raghu Rai| India in Transition| PRof. Jagdish Bhagwati| India is for Sale| Chitra Subramaniam| India of Our Dreams| M. V. 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Hollander| A General and His Army| Georgy Vladimov| A Himalayan Love Story| Namita Gokhale| A Last Leap South| Vladimir Zhirinovsky| A Nation Flawed-Lesson from Indian History| P. N. Chopra| A Peep into the Past| Vasant Navrekar| A Possible India| Partha Chatterjee| A Psychoanalysis of the Prophets| Abdulla Kamal| A Reveolutionary Life| Laxmi Sehgal| A Secular Agenda| Arun Shourie| A Simple Path| Lucinda Vardey| A Suitable Boy| Vikram Seth| A Tale of Two Gardens| Octavio Paz| A Tribute to People’s Princess: Diana| Peter Donelli| A Tryst With Destiny| Stanley Wolfer| Abbot| Walter Scott| Absalom, Absalom| William Faulkner| Absalom and Achitophel| John Dryden| Acoession to Extinction| D. R. Mankekar| Across Borders, Fifty-years of India’s Foreign Policy| J. N. Dixit| Adam Bede| George Eliot| Adhe Adhure| Mohan Rakesh| Adonis| P. B. 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Ali| Against the Grain| Boris Yeltsin| Age of Reason| Jean Paul Sartre| Agni Pariksha| Acharya Tulsi| Agni Veena| Kazi Nazrul Islam| Agony and the Ecstasy| Irving Stone| Ain-i-Akbari| Abul Fazal| Airport| Arthur Hailey| Ajatshatru| Jai Shankar Prasad| Akbarnama| Abul Fazal| Alaska Unbound| James Michener| Alchemist| Ben Johnson| Alexander Quartet| Lawrence Durrel| Alexander the Great| John Gunther| Alice in Wonderland| Lewis Carroll| Alien Nation| Peter Brimelow| All for Love| John Dryden| All is Well that Ends Well| William Shakespeare| All Quiet on the Western Front| Erich Maria Remarque| All the King’s Men| Robert Penn Warren| All the President’s Men| Carl Bernstein and Bob Woodward| All things Bright and Beautiful| James Herroit| All Under Heaven| Pearl S. Buck| Along the Road| Aldous Huxley| Altered States| Anita Brookner| Amar Kosh| Amar Singh| Ambassador’s Journal| J. K. Galbraith| Ambassador’s Report| Chester Bowles| Amelia| Henry Fielding| American Capitalism| J. K. 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Naipaul| Arion and the Dolphin| Vikram Seth| Arms and the Man| George Bernard Shaw| Around the World in Eighty Days| Jules verne| Arrangement| Elia Kazan| Arrival and Departure| Arthur Koestler| Arrow in the Blue| Arthur Koestler| Arrow of Good| Joseph Conrad| Arrowsmith| Sinclair Lewis| Arthashastra| Kautilya| As I Lay Dying| William Faulkner| As You Like It| William Shakespeare| Ascent of the Everest| Sir John Hunt| Ashtadhyayi| Panini| Asia and Western Dominance| K. M. Panikkar| Asian Drama| Gunnar Myrdal| Aspects of the Novel| E. M. Forster| Assassination of a Prime Minister| S. Anandram| Assignment Colombo| J. N. Dixit| Assignment India| Christopher Thomas| Athenian Constitution| Aristotle| Atoms of Hope| Mohan Sundara Rajan| August 1914| Alexander Solzhenitsyn| August Coup| Mikhali S. Gorbachev| Author’s Farce| Henry Fielding| Autobiography of an Unknown Indian| Nirad C. Chaudhuri| Autumn Leaves| O. 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Shaw| Backward Place| Ruth Prawer Jhabwala| Bandicoot Run| Manohar Malgonkar| Bang-i-Dara| Mohammad lqbal| Bangla Desh-The Unifinished Revolution| Lawrence Lifschultz| Banyan Tree| Hugh Tinker| Beach Boy| Ardesher Vakil| Beast and Man| Murry Midgley| Beating the Street| Peter Lynch| Beginning of the Beginning| Acharya Rajneesh| Beloved| Toni Morrison| Ben Hur| Lewis Wallace| Bend in the Ganges| Manohar Malgonkar| Bermuda Triangle| Charles Berlitz| Berry Patches| Yevgeny Yevtushenko| Best and the Brightest| David Halberstan| Betrayal of Pearl Harbour| James Rusbridger and Eric Nave| Between Hope and History| Bill Clinton| Between Hope and History| Bill Clinton| Between the Lines| Kuldip Nayar| Bewildered India-Identity, Pluralism, Discord| Rasheedud-din Khan| Beyond Boundaries: A Memoire| Swaraj Paul| Beyond the Horizon| Eugene O’Neill| Beyond Modernisation, Beyond Self| Sisir Kumar Ghose| Beyond Peace| Richard Nixon| Bhagwat Gita| Veda Vyas| Bharal Aur Europe| Nirmal Verma| Bharat Bharati| Maithili Sharan Gupta| Bharaitya Parampara Ke Mool Swar| Govind Chandra Pande| Big Fisherman| Lloyd C. 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